Pregnant, she was rejected at the altar.
Dante Ferraz destroyed his own wedding when he believed Aurora Valen?a had stolen from her family’s museum, embezzled millions, and betrayed his trust.
She swore the evidence was false.
She told him she was pregnant.
Even then, he rejected her in front of everyone.
That same night, Aurora discovered she was not expecting only one child. She was carrying triplets.
Four years later, the reappearance of a stolen work of art proves that she had been innocent all along. Now Dante must face the truth: Elisa, Cecília, and Tomás grew up without him because he chose to believe a lie.
But earning a place in his children’s lives will take more than money or regret. And winning Aurora back may be impossible.
As Dante tries to prove he has changed, the investigation uncovers a criminal scheme connecting Aurora’s uncle to the Ferraz family empire—and it may conceal the truth about her parents’ deaths.
Aurora has spent her life restoring what time has damaged.
The question is whether a broken love can also be given a new form without erasing the scars of the past.
